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Posts Tagged ‘The Shack’

Sarayu (the Holy Spirit) shows Mack a messy, fractal garden. The garden is full of colors, herbs, flowers, plants. Mack describes it as a “chaos in color”…”confusing, stunning, and incredibly beautiful.” As they walk, Sarayu picks various herbs and plants and flowers, giving them to Mack and creating a bouquet.

She then gives Mack some garden tools and leads him to a secluded patch of absolute beauty—breathtaking. She asks for his help in clearing the patch because she wants to plant something else here instead. Stunned at her request to destroy something so beautiful, he joins her in clear-cutting the beautiful patch of garden. Their conversation turns to the topic of Good and Evil where Sarayu makes the comment, “You humans, so little in your own eyes. You are truly blind to your own place in the Creation. Having chosen the ravaged path of independenc, you don’t even comprehend that you are dragging the entire Creation along with you.” She also states that “humans have a great capacity for declaring something good or evil, without truly knowing.” She begins to question Mack about his ability to really know what is good for him or what is evil. He says a lot of it is based on how something or someone effects him…that somethings he thought were good turned out to be bad, and visa-versa. They continue to work and dialogue together.

Sarayu tells Mack that Evil is simply the absence of God, much like Darkness is simply the absence of Light, and Death, the absence of Life. That Evil and Darkness can only be understood in relation to Light and Good..that they do not actually have any existence. Light and Good actually exist. So by Mack removing himself from God plunges him into darkness. That is death because he has separated himself from God: Life.

The conversation turns towards Mack daughter, Missy, and he asks if she had the right to be protected. Sarayu says, “No Mack. A child is protected because she is loved, not because she has a right to be protected.” This floors Mack. She continues, “Rights are where survivors go, so they don’t have to work out relationships…” that “Jesus didn’t hold on to any rights; he willingly became a servant and lives out of his relationship with Papa. He gave up everything, so that by his dependent life he opened a door that would allow you to live free enough to give up your rights.”

Papa then arrives. Mack says how, though the garden is a mess, he somehow feels strangely comfortable in it. Papa and Sarayu smile at each other. Sarayu says, “And well you should, Mackenzie, because this garden is your soul—this mess is you! Together, you and I, we have been working with a purpose in your heart. And its wild and beautiful and perfectly in process. To you it seems messy, but to me, I see a perfect pattern emerging and growing and alive—a living fractal.” Mack crumbled. He looked at his garden and it really was a mess, but incredible and wonderful at the same time.

The chapter ends with Mack walking up to the workshop to look for Jesus so they can go for a walk…

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This chapter is where Mack gets to start chatting with God. 

He spends most of the time with God the Father, discussing some of his preconcieved notions of what God might look like, act like, be like. 

He also learns that “This weekend is about relationship and love.”

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After Mack recovers from rescuing his older children from a canoe mishap, he realises his youngest daughter is missing.  He tries to remain calm for a while, but as time wears on, he becomes more anxious – as first friends, and then the whole campground become involved. 

Eventually a couple of young guys bring forth some information – they spotted a little girl in an old, military green truck leaving the campsite.  He remembers seeing the driver shove the girl down on the seat, but thought maybe they were just playing.  At this news, the sheriff is contacted, and road blocks get put in place. 

The search team takes Mack back to the camp site, where Missy was last seen; to determine if anything is other than Mack remembers.  There are signs of a struggle over by a tree, where Missy’s shoe and a red crayon are laying.  And there is a ladybug pin on her coloring book.  The pin proves to be significant to the FBI agent on the case – Special Agent  Wikowsky.  She says that, based on the five spots on the ladybug, this is the Little Ladykiller’s fifth murder.  He tends to spot his targets a few days in advance, and waits for an opportunity to take them.  The girls are always taken from campsites, the killer seems to be an excellent woodsman, and the bodies are never recovered. 

With this information, Mack loses it – and he contemplates the death of his daughter, the horror of it, and how he will possibly tell his wife.  He wonders how this could have happened.

At five pm a promising report comes in from a roadblock – the vehicle has been spotted, and the various search teams set out.  A tracker flashed a floodlight off a hubcap, barely visible on an old unnamed road, that was almost impossible to see.  At the end of the road was a cabin.  Mack is called in, to identify little Missy’s ripped and bloody red dress, laying next to the fire place. 

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The next few weeks are full of interviews, and the Great Sadness settles over the family.  Mack and his wife Nan do well together, and are in some ways closer for the tragedy.  She has not blamed Mack for their loss.  Mack struggles with “If onlys”.  It is three and a half years later, and there is a rift in Mack’s relationship with God that he is trying to ignore.  So the note is of monumental importance.  He wonders if God writes notes, and if so, why does He want Mack to go to the cabin?  He feels toyed with, but realising he needs answers, determines to go to the cabin and find out what is going on….

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